Many professional shooters like to keep a UV Filter on their lenses at all times to protect the surface of the lens from scratches and also to take the impact if the lens is dropped.
Just remember to take it off before shooting if your lens in prone to flares. Diffusion With todays cameras being as overly sharp as they are, theres never been a better time to own a diffusion filter. As the name implies, diffusion filters soften your subject slightly and can often create a beautiful, very subtle glow around certain parts of of the image.
If youre new to this ND filters essentially are like putting sunglasses on your lens. They allow you to control the exposure of your image without having to adjust your shutter speed, iris, or ISO setting. They are invaluable to have and a complete necessity for achieving specific depth-of-field looks in camera. When diffusion filters are used with soft cameras, they can often create a final image thats almost too soft and somewhat dream-like. However, when coupled with cameras like the Lumix GH4 or Canon C, which are very sharp to begin with almost to a fault , they help to get the image looking less digital and more organic.
Color balancing filters can effectively warm up, cool down, or otherwise add some sort of color effect to your image. Custom white balancing and color correction can certainly replicate the look of a color filter easily, but the end result will never be exactly the same. These filters are especially useful if youre shooting with a camera that doesnt allow for custom white balancing or recording to a heavily compressed format, as they will allow you to capture your look in camera and avoid having to grade the image too heavily in post.
That said, they can be fun to use and experiment with regardless of which camera youre using. They often create unpredictable and unique stylistic effects. Thinking about getting a mirrorless camera? Here are ten things you need to know.
Mirrorless cameras have been increasing in popularity over the last few years and for good reason. They offer many benefits over traditional DSLRs. Mirrorless Cameras are Small and Lightweight Because mirrorless cameras dont have a mirrorbox mechanism, they tend to be smaller and lightweight. While it may not make a big difference on a professional shoot, if you do a lot of street photography, a lighter camera can do wonders for your shoulders.
Mirrorless Cameras Arent Limited to Cropped Sensors Even though most popular mirrorless cameras are cropped, its possible to have a full-frame mirrorless camera. For example, some cameras like the Lecia M9 and the Sony A7 are both full-frame and mirrorless. Having a full frame sensor is important because it allows you to get wide shots without having to use an expensive fish-eye lens or a Speed Booster. In short, a mirrorless camera is different than a DSLR because it doesnt use a mirrorbox Instead, when looking into the viewfinder on a mirrorless camera, you are actually viewing a digital representation of the image as it passes through the sensor.
In a DSLR, the flange focal distance must be large enough to allow space for a mirror. In a mirrorless camera, you dont have this issue. You definitely wont have to look long to find an amateur mirrorless camera, but the same could be said about DSLR cameras.
You might be surprised to hear that mirrorless cameras arent just entry or midlevel cameras they can actually get pretty high-end. Luxury camera manufacturers like Leica have camera lines that are entirely mirrorless. Its no secret that most mirrorless cameras have cropped sensors. This is normally a problem because of the difficulty in capturing wide shots with a cropped sensor. Speed Boosters not only increase the incoming light of your lens, but they also make your overall image wider.
If you regularly shoot photography with a DSLR, then you know that even with an exposure meter you can get results that are vastly different from what you expected when you clicked the shutter button. However, when you use a mirroless camera, youre actually looking at a small video screen instead of an optical viewfinder. This can be better because it gives you an accurate image readout without having to take a picture and review how it looks.
Gone are the days of mirrorless cameras being behind when it comes to resolution. Mirrorless Cameras are Silent Because mirrorless cameras dont have a mirror box on the inside of the camera, they dont have to flip a mirror up when shooting a picture. For this reason, the operation of a mirrorless camera is quiet. This is a great feature if you shoot live events like weddings. Mirrorless Cameras Can Take More than Just MFT Lenses Although the large majority of mirrorless cameras natively have a micro four thirds lens mount, there are a number of mirrorless cameras that accept other types of camera mounts by default.
Lets slow time down and take a look at how different camera shutters work. Theres nothing like the sound of a professional camera shutter.
Its become so synonymous with photography that digital cameras and phone cameras often have a fake sound effect to make the photography experience more authentic. When you click the shutter button, that system of mirrors flips upwards to allow light to pass to the sensor.
This is why the viewfinder goes black for a short amount of time when taking photos. Once the mirror is flipped upwards, a small door will move from top to bottom exposing the sensor beneath. After that, another door will fall down, covering up the entire sensor. This process can vary in time depending on the length of your shutter speed.
Sometimes a shutter speed can be so fast that your camera sensor wont be entirely exposed at any one time. How do DSLR shutters work? When it comes to a DSLR camera shutter, there are three basic mechanisms: the mirrorbox, the bottom door, and the top door.
When you look through a DSLR view finder, you are essentially. After the second door closes, your mirror will fall back into place. The doors will then reset to their original positions underneath. This entire process from mirror up to mirror down is known as an actuation. A typical DSLR can withstand over , actuations in its lifetime. However, In the age of digital photography, the landscape is certainly different. Modern sensors are fully capable of taking photographs without a mechanical shutter.
Smaller consumer cameras like point-and-shoots and phone cameras are all examples of shutterless cameras. Shutterless cameras tend to have more image noise in the image than their traditional shuttered counterparts. This is because shutterless cameras constantly send power to the sensor. When a user hits the shutter button, the sensor is flooded with more power and the image is captured.
If youre familiar with ISO, you know that more power equals more noise. How do mirrorless camera shutters work? Unlike DSLRs, mirrorless cameras dont use a mirror box or pentaprism to project light directly into the viewfinder. Instead, when using a mirrorless camera, the sensor is perpetually exposed to incoming light by default with nothing in between.
This is why mirrorless cameras use either an LCD screen or an electronic viewfinder to monitor whats coming through the lens. As soon as the user hits the shutter button, a door will swing up to cover the sensor. Once covered up, the sensor will begin exposing. The door will then swing down to expose the sensor to light. After that, another door will swing down to cover the sensor.
The sensor will then stop exposure and the doors will reset. How do shutters work when capturing video? When shooting video, the shutter process is much different. Because a typical still camera can only activate its shutter mechanism about six times per second, the physical shutter doors are far too slow to shoot video which is typically shot in 24 or 30 fps.
Instead, when shooting video or in the live-view mode your shutter doors and mirror are left open, leaving your sensor perpetually exposed. Instead of relying on mechanical processes, the shutter speed when shooting video is only a reference to a timed amount of power that goes through the sensor.
This is known as an electronic shutter. After each frame is captured, the electronic shutter resets. Before the existence of digital sensors, it was vital that your camera have a mechanical shutter. Because you cant simply turn film on or off like a digital sensor. Pre-developed film is light sensitive, meaning any exposure to outside light severely damages your.
Although the name would insinuate that its simply a type of shutter process, a global shutter is more of a camera-sensor-related feature. CMOS sensors are more common among consumer and prosumer cameras, but theyre also more problematic.
This is because CMOS sensors read pixel information from the top left of the sensor to the bottom right. Heres why thats a problem: if your subject is incredibly fast and moves position during capture, youll get warped images.
This is known as rolling shutter and it can produce some pretty annoying jello effects, especially when shooting video. Rotary disks have the shutter angle or the size of the pizza slice - see chart , listed on their blades. DPs can then go in and determine what the shutter speed is by calculating the shutter angle with the frame rate. On the other hand, CCD sensors or global shutters will record the entire frame at once, very similar to a film camera.
This eliminates warping and leaves you with a more pleasing image. What is a rotary disk shutter? Rotary disk shutter only pertains to actual film movie cameras. As you probably already know, a film camera works by exposing 24 individual film frames to light per second. The result is fluid motion that gives the illusion of movement.
As you can imagine, the mechanical processes already covered in this article known as focalplane shutters are far too complex and time consuming to be performed 24 times per second. Instead, a film camera uses a rotary disk shutter.
If you are looking to shoot on film in the near future, there are a lot of really good online resources to help you figure out your shutter speed. Its also not uncommon to see shutter speed displayed by shutter angle when shooting on high-end cinematography cameras. This shutter looks very similar to a fan. In short, the rotary disk rotates on the inside of the camera body, exposing the film to light and then covering it up again with the blade of the disk. The rotary disk process works in 3 steps: under the cover of the disk, the camera film moves into place, the disk allows light in, and then the disk covers the frame.
Repeat this process 24 times per second and you have yourself a moving picture. A leaf shutter is a shutter that functions inside of a lens. Instead of acting like a door or a fan, a leaf shutter works a lot like a lens aperture. You wont find leaf shutters in everyday cameras. Typically they are only found in medium-format high-end photography cameras. Because these lenses are handcrafted rather than manufactured on an assembly line, they tend to be incredibly expensive.
The thing that makes rotary disk shutters truly unique is the way in which the shutter speed is calculated. In modern cameras, you can select the exact shutter speed you want for your image.
But in. Clean up the clutter with these seven tips for staying organized on set. In the chaos that is a film set, it can be difficult to stay organized. When your attention is torn between directing, cinematography, or whatever else the shoot demands, its hard to keep track of all your equipment. Here are a few tips for keeping it all organized. There are tons of ways to utilize labels for your individual purpose. Label makers are cheap use them to your advantage. Labeling your equipment is the best way to stay organized on set.
You can guarantee your equipment doesnt go home with someone accidentally by purchasing a cheap label maker. You can also colorcode the labels to correspond with respective bags. For example, if you have a lens with a green label, your crew will know to put that.
Organize this list by equipment type camera, lighting, audio, etc. Next, modify this master list into a checklist with two checkboxes next to each piece of equipment.
Print off a new version of the checklist each time you head out on a shoot and check off each piece of equipment youll be taking with you. This checklist serves two purposes:. Instead of simply throwing all of your small parts into a random zipper in your camera bag, try using a tackle box instead.
I recommend getting a clear tackle box that is clear and has moveable dividers that will better accommodate different-sized gear. What type of shoot is it and what equipment will it require? By going through the checklist, youll be able to quickly ascertain what you need and what you dont. Add a check to the first checkbox each time a piece of equipment gets packed. By going through this list, youll minimize the chances that youll show up to the set without a crucial piece of gear.
Losing a memory card can be one of the most heartbreaking experiences for any filmmaker. Instead of going through this awful ordeal, purchase a memory card wallet. These storage cases will also keep your cards safe from the elements. This will ensure that you only have one card out at a time. When the shoot is wrapped, go back over the list and add a check to the second box when you verify that you have each piece of gear.
This will minimize the chances that youll leave gear on set or confuse it with someone else's property. Labeled Lens Caps Got a bag full of lenses? Labeled lens caps make it easy to quickly grab the right lens from your camera bag, as they are labeled with focal lengths. Brands like LensBling make versions of these caps, or you can easily create your own by labeling the caps youve got.
Labeled lens caps also make it easier when you are working with production assistants who might not know an 85 from a Sectioned Bags You dont have to spend a lot of money to get a good sectioned camera bag. These bags offer greater flexibility because they can be changed and manipulated to accommodate your individual needs. Be sure to get one with velcro sides that allow you to change the layout of the bag at will. Im a big fan of LowePro bags for their durability. Velcro Cable Organizers Velcro cable organizers are a great way to manage your cables on set.
Youll be able to easily identify cables by their color very useful on long cable runs , as well as keep them tidy during storage. Keep your equipment safe when shooting in cold weather. Thinking about shooting in cold weather? Check out a few of these tips. Carbon Fiber Tripod It doesnt take a rocket scientist to figure out that a cold metal tripod in cold weather is a bad idea. Instead of freezing your fingers off, try using a carbon fiber tripod. Carbon fiber tripods are great for shooting in extreme temperatures.
Theyre also extremely lightweight when compared to their metal counterparts. Avoid Cold Soaking Cold Soaking is allowing your camera to become as cold as the environment around you and you want to avoid this. Allowing your camera to reach sub-zero temperatures is a recipe for disaster, as most cameras arent created to withstand subzero temperatures. Keep your camera in its case until its time to shoot. In extreme temperature scenarios, it may be beneficial to include additional insulation in your camera bag.
Bring Extra Batteries Batteries drain faster in cold weather. So next time you have to shoot in extreme cold, make sure you pack two to three times your normal supply of batteries. Use Hand Warmers Small hand warmers are a lifesaver in cold weather and they can serve a variety of other purposes.
For example, a small hand warmer can be placed in your camera bag to regulate the temperature. Get a Coated Lens Most modern day lenses come with special coatings that allow them to withstand the elements. This is especially important when shooting in cold weather, as its easy to get things like snow and condensation on the lens. If youre considering renting a lens, check to see if it has a specialty coating. Bring ND Filters Snowy weather is bright even when its overcast.
For this reason, you should bring your ND filters along. ND filters cut out incoming light and allow you to use a wider aperture even in bright conditions.
This is really important if you are wanting to get a shallow depth of field. Camera Duck also sells large warmers designed to fit over their weather covers. Gradually Go from Cold to Warm Problems may arise if you quickly go from a cold environment to a warm one; condensation can form on your camera and lens.
Its best to allow your camera to slowly adjust to room temperature. One trick is to keep your lenses in Ziplock freezer bags, allowing them to acclimate to the temperature change before opening. Adding silica gel packs in the baggie can help alleviate any humidity. If condensation gets inside the camera or lens body, it can permanently damage the hardware. In these extreme scenarios it is best to let the camera completely dry out before attempting to use it again. Dehumidifiers One way you can significantly cut back on condensation is to put a dehumidifying pack in your camera bag.
Just as you might imagine, these packs are designed to absorb moisture, making your camera less likely to experience damage as a result of condensation. Lens cap manufacture BRNO make dehumidifying lens caps that have silica gel built-in.
If youre going to be doing a lot of outdoor. Dont cheap out on your camera support! Investing in a quality tripod and fluid head is a smart decision for the future expansion, performance, and safety of your gear.
Build quality in a tripod has a huge impact on the final image for both filmmakers and still photographers. Avoid Center Columns Tripods with height adjustable center columns introduce a lot of vibration and instability to your camera rig. Theres a reason professional quality tripods dont have center columns: the engineering will not provide enough stability.
If youre looking for adding height, go with a tripod that has longer legs. Inexpensive tripods are often shoddily constructed, made from aluminum or a similar thin metal.
This flimsy construction makes the tripod prone to breaking and doesnt provide strong stabilization. Conversely, investing in a more expensive, higher-quality tripod will provide a more stable image, a longer product lifespan, and additional peace of mind when you go to shoot. Are you in the market for a new tripod? Make the following considerations. Avoid Aluminum, Stick With Carbon Fiber Aluminum tripods are usually much more prone to vibrations than tripods constructed of carbon fiber.
Aluminum has a longer. Carbon fiber has a much shorter dampening time, containing and minimizing vibrations with every camera movement or bump of the tripod.
Although lightweight tripods tend to cost more, they do not necessarily perform better. Load Capacity Every tripod will have a maximum load capacity, ranging from lbs for cheaper models and upwards of 50 lbs for higher-end types. This is where a little planning can go a long way. Selecting the right tripod for your needs and future needs is key to your tripod investment.
Factor in the weight of your camera and the weight of any other equipment that will be rigged onto your tripod. As previously stated, account for the future when you might add more equipment to the tripod. A teleprompter, monitors, lights, field recorders and microphones all add weight. Never plan to be at or near your tripods load capacity.
If you have a 20 lb rig, a tripod rated at 30 lbs will obviously perform better and safer than one loaded to capacity. Its important to use a quality head with the appropriate counterbalance and weight load. Tripods that use bowl systems are the most widely used by professionals because its easy to level and balance a fluid head in a pinch to get that perfect shot.
In many cases, buying a used DSLR allows you to get a lot of bang for your buck but theres a lot to consider before deciding to drop your hard-earned cash.
One of the greatest barriers to filmmaking is the amount of money you need to invest in yourself and in your projects. This is especially challenging for new filmmakers who dont have a lot of money to spend on equipment. Between lenses, camera bodies, lighting, and accessories there is only so much money to go around, and this doesnt include the money youll need to actually fund your projects.
As such, here are a few key tips for purchasing used DSLRs below to help you make the right choice. Buy from Non-Professionals Professionals are notorious for treating their camera gear poorly.
In production, a camera isnt typically treated well as there are many different hands on the camera and its being used day in and day out. For this reason among many others , buying a DSLR from a professional shooter is likely going to mean that the camera youre. Its not all bad news though, as these days theres more used gear on the market than ever especially with regards to DSLR bodies. The key is knowing what to look for in order to make the right.
Dont Forget to Inspect the Sensor Whenever anyone inspects a camera they want to buy, they tend to inspect nearly everything the body, the viewfinder, LCD screen, etc. As I stated earlier: even if the camera looks amazing on the outside, there might be issues lurking beneath the surface that you need to identify as soon as possible. I have personally bought loads of used cameras from consumers, and often theyve barely been used at all. So whenever possible, look for inexperienced shooters to buy gear from.
They usually keep it in the best condition possible. The biggest and most common of these issues are scratches or imperfections on the sensor. You need to be very careful about buying used gear. The seller may not be completely truthful about the condition of their DSLR, and sensor issues are relatively common in older cameras. Be sure to shine a light at the sensor before signing off on the deal and make sure everything looks nice and clean so you can put your mind at ease.
If you dont do this, you will be kicking yourself down the road when you notice major issues with your footage. Always Check for Shutter Count A camera may look fine on the surface, but check the shutter count if you really want to know how much its been used. The shutter count shows you the amount of actuations that the shutter has completed.
This will give you a relative idea of how long the shutter has left before it will need to be replaced. Buy Last Years Model Theres really no sense in buying a used camera if you are purchasing the current years model. Most of the time, if you are buying the most current model of a camera second hand, youre not going to be getting a great deal on it and youll likely not be getting a warranty. Always Test Shoot with the Camera First For many reasons, including those stated above, its extremely important that you test shoot with the DSLR you want to buy before committing to the sale.
Whether there is a sensor issue, a recording problem, a faulty LCD, or any number of other common problems, you likely wont know theres an issue with any given DSLR until you actually shoot with it. The whole point of buying used equipment is obviously to save money. If you arent really saving much, do yourself a favor and cough up the extra couple hundred bucks to get a current camera model that will give you the peace of mind of knowing you have a full warranty.
I would recommend that you not only shoot with the camera, but also look at the footage on a proper monitor to ensure that there arent any noticeable problem areas or artifacts that may not have been visible when playing it back in the camera. If youre set on buying a used camera though, make sure to get last years model as thats the only way youre going to save any substantial money. In many cases, the current model of a camera is not going to be that far off from its predecessor with regards to specs , so dont buy into the hype that you need the latest model to make your work look good.
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